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Jose Perez Beduya earned a BFA in Painting from the University of the
Philippines and an MFA in Creative Writing from Cornell University. He has received a fellowship to the Santa Fe Art
Institute. His poems have been published or are forthcoming in High Chair, Beloit Poetry Journal, and Boston Review.
His poetry chapbook Seem was published by High Chair press in Manila. He lives in Ithaca with his wife Jessica and
their cat Pablo. He is currently working on a full-length collection of poems.
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Four Poems by Jose Perez Beduya
Specter of an Ever After
The bodies pulled by dogs
Substitute white gloves for flowers
In the story that expands with the blank
Between cut limbs
Carbonized teeth
From the thicket to address us
Restored Print
It’s said shadows do the work
For the electrified city.
Strips of lives. Elastic
With souls still attached
To an ever-receding
Rectangular
Hole of home.
Shadows tending towards the horizon
As shadows tending towards fat grass.
Why do I distrust
Never been filmed before?
Uncaged symbols churning
Brackish waters of the heart.
Quotation marks and children
Go quietly missing.
In this newly minted version I wish
My fear could travel far with you.
Signal to Noise
The bridge as we
Speak it
The safety of the air
And then speaking
No longer needed
Air
The bridge into
Another country
The wind-blasted inner
Ear
In search of a man
Only to find
A name
The commentator
Coughs on air
The sun
Into what shines
As absence
Shapes its sons
And errors eclipse
The reflecting pond
A hospital quiet wears
Its pure white gloves
Into our everyday lives
Tightening gauze
Over the rows
The morning has flown
By again in fragments
We roll the car window
And breathe into.
[First published in High Chair]
Dispersal Chorus
We are happy we
sing we destroy
Time in bed
In the dark feel
for the lips and trace
The last word formed
There. Awe-struck
Rubble inside the mouth.
Gargle gravel to speak only the truth, the thread and mineral
Ore of Good.
What face doesn’t look up when it’s buried
Alive?
Attend now, angels, to voices giving way
Entering the wind-folds.
Already the dark rubble pours
And grows in the shape of a bell.
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